Peterson (math-and-physics editor at Science News) tells how science has unlocked the secrets of celestial motion. The puzzle is as ancient as cave men peering at the night sky: how to explain the weird (sometimes seemingly backwards) movements of moons and planets? Peterson anoints two scientists as patron saints in the quest: Johannes Kepler, who established physics as the basis for astronomy and demonstrated that planets travel in elliptical, not circular, orbits; and Isaac Newton, whose three laws of movement and study of gravity established a practical understanding of planetary orbits. In fact, to Newton and his heirs, cosmic motion was as reliable as the tick-tock of a clock. But is the solar system really God's windup toy? Mathematicians and scientists like Henri PoincarÇ discarded that idea through the development of chaos theory. Chaotic systems are not, emphasizes Peterson, truly random: Inexorable physical laws still apply. But in chaotic systems, such an enormous number of factors are involved that a tiny variation can lead to enormous, unpredictable changes down the road. Observations of planetary rings, asteroid placement, and the like seem to indicate that our solar system is indeed chaotic. And while computer models project no major disruptions in the next trillion years or so, one never knows: We live, says Peterson, not in a clockwork world but in one ``constantly changing, infinitely complex.'' A very tough subject made lucid. Not for science illiterates, but astronomy and physics buffs will lap it up. (B&w illustrations—115—not seen)
Pub Date: Oct. 1, 1993
ISBN: 0-7167-2396-4
Page Count: 336
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1993
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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