Languages of Truth: Essays 2003-2020Newly collected, revised, and expanded nonfiction from the first two decades of the twenty-first century—including many texts never previously in print—by the Booker Prize–winning, internationally bestselling author Longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay Salman Rushdie is celebrated as “a master of perpetual storytelling” (The New Yorker), illuminating truths about our society and culture through his gorgeous, often searing prose. Now, in his latest collection of nonfiction, he brings together insightful and inspiring essays, criticism, and speeches that focus on his relationship with the written word and solidify his place as one of the most original thinkers of our time. Gathering pieces written between 2003 and 2020, Languages of Truth chronicles Rushdie’s intellectual engagement with a period of momentous cultural shifts. Immersing the reader in a wide variety of subjects, he delves into the nature of storytelling as a human need, and what emerges is, in myriad ways, a love letter to literature itself. Rushdie explores what the work of authors from Shakespeare and Cervantes to Samuel Beckett, Eudora Welty, and Toni Morrison mean to him, whether on the page or in person. He delves deep into the nature of “truth,” revels in the vibrant malleability of language and the creative lines that can join art and life, and looks anew at migration, multiculturalism, and censorship. Enlivened on every page by Rushdie’s signature wit and dazzling voice, Languages of Truth offers the author’s most piercingly analytical views yet on the evolution of literature and culture even as he takes us on an exhilarating tour of his own exuberant and fearless imagination. |
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Its probable origin is Indian; Indian story compendiums too have a fondness for frame stories, ... Somewhere around the eighth century, these stories found their way into Persian, and according to surviving scraps of information, ...
Its probable origin is Indian; Indian story compendiums too have a fondness for frame stories, ... Somewhere around the eighth century, these stories found their way into Persian, and according to surviving scraps of information, ...
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And from French the stories made it into English, and from English they journeyed to Hollywood, ... I had the feeling of closing a circle and bringing that story tradition all the way back home to the country in which it began.
And from French the stories made it into English, and from English they journeyed to Hollywood, ... I had the feeling of closing a circle and bringing that story tradition all the way back home to the country in which it began.
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It began, or so the story goes, when Shah Zaman found his wife in the arms of a palace cook, whose chief characteristics were that he was (a) black, (b) huge, and (c) covered in kitchen grease. In spite of, or perhaps because of, ...
It began, or so the story goes, when Shah Zaman found his wife in the arms of a palace cook, whose chief characteristics were that he was (a) black, (b) huge, and (c) covered in kitchen grease. In spite of, or perhaps because of, ...
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... story, marrying King Shahryar and ordering her sister, Dunyazad, to sit at the foot of the marital bed and to ask, after Scheherazade's deflowering was complete, to be told a bedtime story...By this time, Shahryar and Shah Zaman ...
... story, marrying King Shahryar and ordering her sister, Dunyazad, to sit at the foot of the marital bed and to ask, after Scheherazade's deflowering was complete, to be told a bedtime story...By this time, Shahryar and Shah Zaman ...
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Scheherazade, who snared the prince in her never-ending story. Scheherazade, telling stories to save her life, setting fiction against death, a Statue of Liberty built not of metal but of words. Scheherazade, who insisted, against her ...
Scheherazade, who snared the prince in her never-ending story. Scheherazade, telling stories to save her life, setting fiction against death, a Statue of Liberty built not of metal but of words. Scheherazade, who insisted, against her ...
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actually adaptation American answer artists asked beautiful became become beginning believe better Bombay British called character close created dead death English example face fact father feel fiction figure freedom give gods hand happened hijras human hundred idea imagination India interesting it’s kind king knew language later learned least less literary literature lives London look lost magic means mind movie nature never night novel once original painting perhaps Persian person picture play political published question readers religious remember Roth seems Shakespeare sometimes speak stand story tell things thought told true truth trying turn understand voice whole women wonder writers wrote young
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| Titill | Languages of Truth: Essays 2003-2020 |
| Höfundur | Salman Rushdie |
| Útgefandi | Random House Publishing Group, 2021 |
| ISBN | 0593133188, 9780593133187 |
| Length | 368 síður |
| Export Citation | BiBTeX EndNote RefMan |