Languages of Truth: Essays 2003-2020Newly collected, revised, and expanded nonfiction from the first two decades of the twenty-first century—including many texts never previously in print—by the Booker Prize–winning, internationally bestselling author Longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay Salman Rushdie is celebrated as “a master of perpetual storytelling” (The New Yorker), illuminating truths about our society and culture through his gorgeous, often searing prose. Now, in his latest collection of nonfiction, he brings together insightful and inspiring essays, criticism, and speeches that focus on his relationship with the written word and solidify his place as one of the most original thinkers of our time. Gathering pieces written between 2003 and 2020, Languages of Truth chronicles Rushdie’s intellectual engagement with a period of momentous cultural shifts. Immersing the reader in a wide variety of subjects, he delves into the nature of storytelling as a human need, and what emerges is, in myriad ways, a love letter to literature itself. Rushdie explores what the work of authors from Shakespeare and Cervantes to Samuel Beckett, Eudora Welty, and Toni Morrison mean to him, whether on the page or in person. He delves deep into the nature of “truth,” revels in the vibrant malleability of language and the creative lines that can join art and life, and looks anew at migration, multiculturalism, and censorship. Enlivened on every page by Rushdie’s signature wit and dazzling voice, Languages of Truth offers the author’s most piercingly analytical views yet on the evolution of literature and culture even as he takes us on an exhilarating tour of his own exuberant and fearless imagination. |
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Shah Zaman, untamed by literature, went right on with his vengeful work, slaughtering each morning the virgin he'd ravished the night before, demonstrating to the female sex the power of men over women, the ability of men to separate ...
Shah Zaman, untamed by literature, went right on with his vengeful work, slaughtering each morning the virgin he'd ravished the night before, demonstrating to the female sex the power of men over women, the ability of men to separate ...
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... as wildly fantastic as the memoir had been determinedly realistic. My mood swung from one end of the literary pendulum's arc to the other extreme. And I began to remember the stories that had made me fall in love with literature ...
... as wildly fantastic as the memoir had been determinedly realistic. My mood swung from one end of the literary pendulum's arc to the other extreme. And I began to remember the stories that had made me fall in love with literature ...
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All human life is here, brave and cowardly, honorable and dishonorable, straight-talking and conniving, and the stories ask the greatest and most enduring question of literature: How do ordinary people respond to the arrival in their ...
All human life is here, brave and cowardly, honorable and dishonorable, straight-talking and conniving, and the stories ask the greatest and most enduring question of literature: How do ordinary people respond to the arrival in their ...
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(Ernest Hemingway famously chose a different literary parent: “All modern American literature comes from one book by Mark Twain called Huckleberry Finn.” That is a freer and more mythic work than Clarissa, but it too is a broadly ...
(Ernest Hemingway famously chose a different literary parent: “All modern American literature comes from one book by Mark Twain called Huckleberry Finn.” That is a freer and more mythic work than Clarissa, but it too is a broadly ...
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The Pen and the Sword | |
PEN World Voices Opening Night 2017 | |
Part Four | |
London 2005 | |
An American Index of the Hidden and Unfamiliar | |
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