Languages of Truth: Essays 2003-2020Random House Publishing Group, 25. maí 2021 - 368 síður Newly collected, revised, and expanded nonfiction from the first two decades of the twenty-first century—including many texts never previously in print—by the Booker Prize–winning, internationally bestselling author Longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay Salman Rushdie is celebrated as “a master of perpetual storytelling” (The New Yorker), illuminating truths about our society and culture through his gorgeous, often searing prose. Now, in his latest collection of nonfiction, he brings together insightful and inspiring essays, criticism, and speeches that focus on his relationship with the written word and solidify his place as one of the most original thinkers of our time. Gathering pieces written between 2003 and 2020, Languages of Truth chronicles Rushdie’s intellectual engagement with a period of momentous cultural shifts. Immersing the reader in a wide variety of subjects, he delves into the nature of storytelling as a human need, and what emerges is, in myriad ways, a love letter to literature itself. Rushdie explores what the work of authors from Shakespeare and Cervantes to Samuel Beckett, Eudora Welty, and Toni Morrison mean to him, whether on the page or in person. He delves deep into the nature of “truth,” revels in the vibrant malleability of language and the creative lines that can join art and life, and looks anew at migration, multiculturalism, and censorship. Enlivened on every page by Rushdie’s signature wit and dazzling voice, Languages of Truth offers the author’s most piercingly analytical views yet on the evolution of literature and culture even as he takes us on an exhilarating tour of his own exuberant and fearless imagination. |
From inside the book
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... India still believe that there are limits and boundaries women should not transgress. It should be said that in most traditional versions of the Ramayana, including the original version by the poet Valmiki, the story of the Lakshman ...
... India still believe that there are limits and boundaries women should not transgress. It should be said that in most traditional versions of the Ramayana, including the original version by the poet Valmiki, the story of the Lakshman ...
Síða
... Indian; Indian story compendiums too have a fondness for frame stories, for Russian-doll-style stories within stories, and for animal fables. Somewhere around the eighth century, these stories found their way into Persian, and according ...
... Indian; Indian story compendiums too have a fondness for frame stories, for Russian-doll-style stories within stories, and for animal fables. Somewhere around the eighth century, these stories found their way into Persian, and according ...
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... India traveled west to encounter, eventually, the Arabic language and to turn into The Thousand Nights and One Night, a book with many versions and no agreed canonical form, and then to move farther west, first into French, in the ...
... India traveled west to encounter, eventually, the Arabic language and to turn into The Thousand Nights and One Night, a book with many versions and no agreed canonical form, and then to move farther west, first into French, in the ...
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Essays 2003-2020 Salman Rushdie. India and China,” and his brother, Shah Zaman, sovereign ruler over barbarian Samarkand? It began, or so the story goes, when Shah Zaman found his wife in the arms of a palace cook, whose chief ...
Essays 2003-2020 Salman Rushdie. India and China,” and his brother, Shah Zaman, sovereign ruler over barbarian Samarkand? It began, or so the story goes, when Shah Zaman found his wife in the arms of a palace cook, whose chief ...
Síða
... India as the Panchatantra features a pair of talking jackals: Karataka, the good or better guy of the two, and Damanaka, the wicked schemer. At the book's outset they are in the service of the lion king, but Damanaka doesn't like the ...
... India as the Panchatantra features a pair of talking jackals: Karataka, the good or better guy of the two, and Damanaka, the wicked schemer. At the book's outset they are in the service of the lion king, but Damanaka doesn't like the ...
Efni
Proteus | |
Heraclitus | |
Another Writers Beginnings | |
Philip Roth | |
Kurt Vonnegut and SlaughterhouseFive | |
Samuel Becketts Novels | |
Cervantes and Shakespeare | |
Hans Christian Andersen | |
Very Well Then I Contradict Myself | |
The Pen and the Sword | |
PEN World Voices Opening Night 2017 | |
The Emperor Akbar and the Making | |
Letters | |
Bhupen Khakhar 19342003 | |
An American Index of the Hidden and Unfamiliar | |
Harold Pinter 19302008 | |
Introduction to The Paris Review Interviews Vol IV | |
Adaptation | |
From Saligia to Oblomov | |
Kara Walker at the Hammer Museum Los Angeles 2009 | |
The Unbelievers Christmas | |
A Personal Engagement with the Coronavirus | |
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actually adaptation American answer artists asked beautiful became become beginning believe better Bombay British called character close created dead death English example face fact father feel fiction figure freedom give gods hand happened hijras human hundred idea imagination India interesting it’s kind king knew language later learned least less literary literature lives London look lost magic means mind movie nature never night novel once original painting perhaps Persian person picture play political published question readers religious remember Roth seems Shakespeare sometimes speak stand story tell things thought told true truth trying turn understand voice whole women wonder writers wrote young
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| Titill | Languages of Truth: Essays 2003-2020 |
| Höfundur | Salman Rushdie |
| Útgefandi | Random House Publishing Group, 2021 |
| ISBN | 0593133188, 9780593133187 |
| Length | 368 síður |
| Export Citation | BiBTeX EndNote RefMan |