Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 26Indiana University Press, 2004 |
From inside the book
Niðurstöður 1 - 3 af 18
Síða 25
... Nate and Lisa , or , more accurately , a meta- argument . We see them argue about Nate's refusal to argue , thus the scene is about how they communicate , rather than about the concrete details of this particular conflict . In this scene , ...
... Nate and Lisa , or , more accurately , a meta- argument . We see them argue about Nate's refusal to argue , thus the scene is about how they communicate , rather than about the concrete details of this particular conflict . In this scene , ...
Síða 28
... [ Nate ] made , " and berates him : " Nate , you're not single anymore ; you can't keep spending like you are . " Nate's " prison moments " go hand in hand with Lisa as panopticon . The husband role is depicted in terms that resemble Fou ...
... [ Nate ] made , " and berates him : " Nate , you're not single anymore ; you can't keep spending like you are . " Nate's " prison moments " go hand in hand with Lisa as panopticon . The husband role is depicted in terms that resemble Fou ...
Síða 32
... Nate and Brenda plan their outdoor wed- ding by the ocean , Nate notices horse droppings among the dunes where they would take their vows , and Brenda pronounces the set- ting perfect : " Meaning , we're going into this open - eyed ...
... Nate and Brenda plan their outdoor wed- ding by the ocean , Nate notices horse droppings among the dunes where they would take their vows , and Brenda pronounces the set- ting perfect : " Meaning , we're going into this open - eyed ...
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