Discourse, Bindi 14Indiana University Press, 1992 |
From inside the book
Niðurstöður 1 - 3 af 61
Síða 140
... scene is obviously analogical to the tragical scene . Merely analog- ical , but analogical nonetheless . I would say even more precisely : analogical to the Aeschylean stage . Like the analytical scene , it is a scene with two voices ...
... scene is obviously analogical to the tragical scene . Merely analog- ical , but analogical nonetheless . I would say even more precisely : analogical to the Aeschylean stage . Like the analytical scene , it is a scene with two voices ...
Síða 142
... scene , and as soon as there is a scene , there is something behind the scene . I counted three of these , at the beginning of this essay , just for this single case history . But I said that there are more of them , many more . Whether ...
... scene , and as soon as there is a scene , there is something behind the scene . I counted three of these , at the beginning of this essay , just for this single case history . But I said that there are more of them , many more . Whether ...
Síða 39
... scene with the shift from " feast " to " television . " Perhaps the past becomes the other scene , in a shift of temporalities as well as from place to space , with " watching " as a process ( and Keating as an image ) that can mediate ...
... scene with the shift from " feast " to " television . " Perhaps the past becomes the other scene , in a shift of temporalities as well as from place to space , with " watching " as a process ( and Keating as an image ) that can mediate ...
Efni
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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