Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfur 10-11Indiana University Press, 1987 |
From inside the book
Niðurstöður 1 - 3 af 54
Síða 57
... voice , and gently reminds us of the terms of courtroom litigation . Now it would be misleading to characterize the male voice - over as the only extra - diegetic sound we hear , for music , especially sensationalized music , clearly ...
... voice , and gently reminds us of the terms of courtroom litigation . Now it would be misleading to characterize the male voice - over as the only extra - diegetic sound we hear , for music , especially sensationalized music , clearly ...
Síða 53
... voice of anthropology à la Freud for which we chose an Australian voice , the second was the voice of description / narration for which we chose a Sri Lankan voice which had a trace of a Tamil accent , the third voice was the voice of ...
... voice of anthropology à la Freud for which we chose an Australian voice , the second was the voice of description / narration for which we chose a Sri Lankan voice which had a trace of a Tamil accent , the third voice was the voice of ...
Síða 75
... Voice - over commen- tary recuperates images that defy mastery . The need to resort to commentary is made particularly acute in the trance film ( Les Maîtres Fous , Tourou et Bitti , Dance and Trance in Bali , A Curing Ceremony , and so ...
... Voice - over commen- tary recuperates images that defy mastery . The need to resort to commentary is made particularly acute in the trance film ( Les Maîtres Fous , Tourou et Bitti , Dance and Trance in Bali , A Curing Ceremony , and so ...
Efni
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mirror mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual Roland Barthes scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski television theater theory tion traditional trans transgression University viewers voice Western woman women writing York