Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
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Niðurstöður 1 - 3 af 45
Síða 44
... turn , full of nostalgia , toward that happy period of childhood when love relationships were so perfect , and to turn away from his wife as spouse , as if she did not know how to 44.
... turn , full of nostalgia , toward that happy period of childhood when love relationships were so perfect , and to turn away from his wife as spouse , as if she did not know how to 44.
Síða 49
... turn away from them . With respect to women , psychoanalysis could never have touched them except to turn them into cadavers . To turn women into cadavers is to try , one last time , to control their enigmatic and atopographical ...
... turn away from them . With respect to women , psychoanalysis could never have touched them except to turn them into cadavers . To turn women into cadavers is to try , one last time , to control their enigmatic and atopographical ...
Síða 32
... turn elsewhere . It is commonly assumed that such a viewer , blocked from character identification , turns instead to the higher strata of nonidentificatory responses . With Kluge's help , I would disagree . The narrator holds a ...
... turn elsewhere . It is commonly assumed that such a viewer , blocked from character identification , turns instead to the higher strata of nonidentificatory responses . With Kluge's help , I would disagree . The narrator holds a ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
12 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words