Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
From inside the book
Niðurstöður 1 - 3 af 53
Síða 68
... sequence is : the bird flying in , the attack on Melanie , the bird flying off . The bird flies through its frame into Melanie's " cage - frame " and out again ; in her fixed position , she is the object not only of the look ( the ...
... sequence is : the bird flying in , the attack on Melanie , the bird flying off . The bird flies through its frame into Melanie's " cage - frame " and out again ; in her fixed position , she is the object not only of the look ( the ...
Síða 100
... sequence " a passage from each of the two parts of the film , so that I could take an oblique approach to Ivan , Part 1 and Part 2 , and their difference . Eisenstein himself specifically designated the sequence of the lamentations over ...
... sequence " a passage from each of the two parts of the film , so that I could take an oblique approach to Ivan , Part 1 and Part 2 , and their difference . Eisenstein himself specifically designated the sequence of the lamentations over ...
Síða 19
... sequence draws our attention to a second subjective factor , one much more con- cerned with establishing similarities than differences . Through the jux- taposition of Dibah and a working class woman who aspires to look like her ...
... sequence draws our attention to a second subjective factor , one much more con- cerned with establishing similarities than differences . Through the jux- taposition of Dibah and a working class woman who aspires to look like her ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
12 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words