Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
From inside the book
Niðurstöður 1 - 3 af 52
Síða 112
... scène ( cf. Nijny ) . What- ever the case may be , this phase of the work is always emphasized by Eisenstein ( the preparatory drawings referred to would be one of its traces ) , and it is during this phase that the architecture of the ...
... scène ( cf. Nijny ) . What- ever the case may be , this phase of the work is always emphasized by Eisenstein ( the preparatory drawings referred to would be one of its traces ) , and it is during this phase that the architecture of the ...
Síða 113
... scene ( that imaginary space - time of which the filmic representation aims to give the impression ) will in a way ... Scene : Figuration and Representation Assuming , then , the existence , at least ideally , of such prepara- tory work ...
... scene ( that imaginary space - time of which the filmic representation aims to give the impression ) will in a way ... Scene : Figuration and Representation Assuming , then , the existence , at least ideally , of such prepara- tory work ...
Síða 104
... scene from Servus Bayern ( 1978 ) comes to mind . As so often in his films , a woman ( Annamirl Bierbichler ) starts haranguing Herbert in a long , almost static take , directly addressing him , but into the camera , and therefore ...
... scene from Servus Bayern ( 1978 ) comes to mind . As so often in his films , a woman ( Annamirl Bierbichler ) starts haranguing Herbert in a long , almost static take , directly addressing him , but into the camera , and therefore ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Common terms and phrases
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words