Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
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Síða 35
... penis envy as the grounding cause for pre - genital female shifts and makes the female a necessary prisoner of male logic . When the female dis- covers where the penis really is , she has no trouble deciding whom to love . In other ...
... penis envy as the grounding cause for pre - genital female shifts and makes the female a necessary prisoner of male logic . When the female dis- covers where the penis really is , she has no trouble deciding whom to love . In other ...
Síða 41
... penis envy , and the girl's castration complex are placed at the origin of the Oedipus complex , an Oedipus complex that has no reason to end ; it was therefore strange that the same penis envy , the same castration complex which ...
... penis envy , and the girl's castration complex are placed at the origin of the Oedipus complex , an Oedipus complex that has no reason to end ; it was therefore strange that the same penis envy , the same castration complex which ...
Síða 45
... penis envy , it must be recognized that women are deprived of all sense of justice and equity . In this conclusion to the lecture then , as though in revenge , Freud overwhelms women with " unredeeming " traits , emphasiz- ing over all ...
... penis envy , it must be recognized that women are deprived of all sense of justice and equity . In this conclusion to the lecture then , as though in revenge , Freud overwhelms women with " unredeeming " traits , emphasiz- ing over all ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words