Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
From inside the book
Niðurstöður 1 - 3 af 17
Síða 32
... narrator in the film ? And , what is the effect of the narration upon the viewer ? While Roswitha is not a properly constituted character in the realist sense of character unity and psychological motivation , she is nevertheless a ...
... narrator in the film ? And , what is the effect of the narration upon the viewer ? While Roswitha is not a properly constituted character in the realist sense of character unity and psychological motivation , she is nevertheless a ...
Síða 39
... narrator turns downright low - key , remarking only that " all kinds of people come to her " as a pair of art - world hustlers try to con her . Similarly , as her schedule careens out of control with overload , the nar- rator remarks ...
... narrator turns downright low - key , remarking only that " all kinds of people come to her " as a pair of art - world hustlers try to con her . Similarly , as her schedule careens out of control with overload , the nar- rator remarks ...
Síða 43
... narrator / author quotes to substantiate an identity . Judith Mayne , in her extensive analysis of Redupers , has concentrated on this issue of articulating an evasive self - definition . 18 Mayne situates Sander's film within a ...
... narrator / author quotes to substantiate an identity . Judith Mayne , in her extensive analysis of Redupers , has concentrated on this issue of articulating an evasive self - definition . 18 Mayne situates Sander's film within a ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
12 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words