Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
From inside the book
Niðurstöður 1 - 3 af 51
Síða 32
... narrative time , she is already scarred . And although the linear , temporal dimension of the investigation seeks to reduce her contradiction , and to establish it as an opposition ( to the law , to patriarchy , to phallic desire ) ...
... narrative time , she is already scarred . And although the linear , temporal dimension of the investigation seeks to reduce her contradiction , and to establish it as an opposition ( to the law , to patriarchy , to phallic desire ) ...
Síða 133
... narrative structure is indeed suspense , i.e. , a narrative system in which the enigma is produced only as a fuel , as a narrative reserve aiming to activate a " surplus of narration " by deferring as long as possible a solution ( let ...
... narrative structure is indeed suspense , i.e. , a narrative system in which the enigma is produced only as a fuel , as a narrative reserve aiming to activate a " surplus of narration " by deferring as long as possible a solution ( let ...
Síða 40
... narrative authority ; rather , the authoritarianism of narration is avoided in favor of a relationship that sounds at times more like conversation than like any hierarchical ordering of narrative truth . In earlier writings , I have ...
... narrative authority ; rather , the authoritarianism of narration is avoided in favor of a relationship that sounds at times more like conversation than like any hierarchical ordering of narrative truth . In earlier writings , I have ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words