Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
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Síða 105
... movement and feminism . For information on the " historical " women's movement see Franca Pieroni Bortoletti , Alle origini del movimento femminile in Italia , 1848-1892 , ( Torino : Einaudi , 1963 ) ; Anna Maria Mozzoni , La libera ...
... movement and feminism . For information on the " historical " women's movement see Franca Pieroni Bortoletti , Alle origini del movimento femminile in Italia , 1848-1892 , ( Torino : Einaudi , 1963 ) ; Anna Maria Mozzoni , La libera ...
Síða 127
... movement of the accent . In the movement from the icon shown in close - up ( in the abstract , so to speak ) in shot 2 , to the same subject in shot 3 , shown this time in a real decor by the gently swaying light of the lamps , the ...
... movement of the accent . In the movement from the icon shown in close - up ( in the abstract , so to speak ) in shot 2 , to the same subject in shot 3 , shown this time in a real decor by the gently swaying light of the lamps , the ...
Síða 11
... movement , but one which affords a rather different view of that movement than that provided by existing histories2 - different because Sander's close - up of its domestic economy foregrounds rela- tions which are not recognized by ...
... movement , but one which affords a rather different view of that movement than that provided by existing histories2 - different because Sander's close - up of its domestic economy foregrounds rela- tions which are not recognized by ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Common terms and phrases
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words