Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
From inside the book
Niðurstöður 1 - 3 af 36
Síða 23
... material - the product for sale - used to represent something else . A fiction has been generated elsewhere , yet the material of the signifier appears to remain within the real space of the store , while in the TV commercial you are ...
... material - the product for sale - used to represent something else . A fiction has been generated elsewhere , yet the material of the signifier appears to remain within the real space of the store , while in the TV commercial you are ...
Síða 95
... material detail at the altar of universality maintains , by a concrete material detail , its “ ontological " centrality . By referring to the concrete materiality of their daily existence , women set up an epistemological model which ...
... material detail at the altar of universality maintains , by a concrete material detail , its “ ontological " centrality . By referring to the concrete materiality of their daily existence , women set up an epistemological model which ...
Síða 64
... material composed of discrete , commutable elements , and , as Eisenstein said , a measurable material , provided with a unit of measure . That is the very thing he has in mind when he speaks of the attraction as the " molecular unit ...
... material composed of discrete , commutable elements , and , as Eisenstein said , a measurable material , provided with a unit of measure . That is the very thing he has in mind when he speaks of the attraction as the " molecular unit ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
12 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words