Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
From inside the book
Niðurstöður 1 - 3 af 40
Síða 81
... identification is threatened . The last recorded utter- ance of this series is the full sentence , " See the baby ( looking in a mirror ) . The child's imaginary identification with the mother is thus also ruptured at this stage by his ...
... identification is threatened . The last recorded utter- ance of this series is the full sentence , " See the baby ( looking in a mirror ) . The child's imaginary identification with the mother is thus also ruptured at this stage by his ...
Síða 66
... identification which structures the look in a comprehensible , anthropomorphic way . In Kluge's practice , however , secondary identification remains highly rudimentary , in the measure that the char- acters upon whom it rests are ...
... identification which structures the look in a comprehensible , anthropomorphic way . In Kluge's practice , however , secondary identification remains highly rudimentary , in the measure that the char- acters upon whom it rests are ...
Síða 105
... identification - Achternbusch explores not only the identification structure of the cinematic representation , but in an almost painfully explicit way , the crisis of sexual identity that so much . preoccupies him in relation to his ...
... identification - Achternbusch explores not only the identification structure of the cinematic representation , but in an almost painfully explicit way , the crisis of sexual identity that so much . preoccupies him in relation to his ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
12 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words