Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
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Síða 98
... critique of the political economy and the super- structural nexus , a critique which neatly accounts for every phenomenon at all times . Nor did it produce a well defined theoretical system with categorical principles and hegemonic as ...
... critique of the political economy and the super- structural nexus , a critique which neatly accounts for every phenomenon at all times . Nor did it produce a well defined theoretical system with categorical principles and hegemonic as ...
Síða 46
... Critique , No. 16 ( Winter 1979 ) , p . 34 . 16. See the materials presented in New German Critique , No. 13 , as well as the summary of the frauen and film critiques of Kluge quoted and summarized in Dawson's Alexander Kluge . 17 ...
... Critique , No. 16 ( Winter 1979 ) , p . 34 . 16. See the materials presented in New German Critique , No. 13 , as well as the summary of the frauen and film critiques of Kluge quoted and summarized in Dawson's Alexander Kluge . 17 ...
Síða 84
... critique run- ning amuck . T.W. Adorno - as Rutschky argues a bit too simplistically - insisted that the calling of philosophy was to develop a sense of authentic existence : And again and again he [ Adorno ] demonstrated that one ...
... critique run- ning amuck . T.W. Adorno - as Rutschky argues a bit too simplistically - insisted that the calling of philosophy was to develop a sense of authentic existence : And again and again he [ Adorno ] demonstrated that one ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words