Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
From inside the book
Niðurstöður 1 - 3 af 41
Síða 64
... contradiction , between its aggressiveness , its surprise aspect ( its Prolet- kult aspect ) , and its effectiveness , its utilitarianism ( its Leninist aspect , so to speak ) . This is a tension which , at the level of Soviet society ...
... contradiction , between its aggressiveness , its surprise aspect ( its Prolet- kult aspect ) , and its effectiveness , its utilitarianism ( its Leninist aspect , so to speak ) . This is a tension which , at the level of Soviet society ...
Síða 89
... contradiction . Here , precisely , more and more often , Eisenstein plays both cards simultaneously - the card of contradiction ( understood as conflict , the living nutriment of every phenomenon , and in particular the very principle ...
... contradiction . Here , precisely , more and more often , Eisenstein plays both cards simultaneously - the card of contradiction ( understood as conflict , the living nutriment of every phenomenon , and in particular the very principle ...
Síða 95
... contradiction . " Cf. , in 1942 , in " Dickens , Griffith , and Us , " this statement - conflict ( read , contradiction ) , " RW 5 , p . 165 . 21. " Im Gebiete der Kunst verkörpert sich dieses dialektische Prinzip der Dynamik im KON ...
... contradiction . " Cf. , in 1942 , in " Dickens , Griffith , and Us , " this statement - conflict ( read , contradiction ) , " RW 5 , p . 165 . 21. " Im Gebiete der Kunst verkörpert sich dieses dialektische Prinzip der Dynamik im KON ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
12 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words