Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
From inside the book
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... Avant - Garde Cinema : The Seventies . " Eric Rentschler is now Associate Professor at the University of Califor- nia at Irvine . A scholar of New German Cinema , he has served as edi- torial consultant for German Quarterly , Jump Cut ...
... Avant - Garde Cinema : The Seventies . " Eric Rentschler is now Associate Professor at the University of Califor- nia at Irvine . A scholar of New German Cinema , he has served as edi- torial consultant for German Quarterly , Jump Cut ...
Síða 4
... Avant - Garde Cinema : the Seventies , " was the title of the film conference held in April 1982 at the University ... avant - garde films by these two negatives is insufficient and says little or nothing about the actual selection of ...
... Avant - Garde Cinema : the Seventies , " was the title of the film conference held in April 1982 at the University ... avant - garde films by these two negatives is insufficient and says little or nothing about the actual selection of ...
Síða 94
... avant - garde films included : In my new film ( Aller Jamais Retour ) quasi - documentary scenes alternate with extremely stylized ones . This is so because I noticed especially in films made in Berlin , that a lot of the work is ...
... avant - garde films included : In my new film ( Aller Jamais Retour ) quasi - documentary scenes alternate with extremely stylized ones . This is so because I noticed especially in films made in Berlin , that a lot of the work is ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words