Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
From inside the book
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Síða 109
... Association of German Film was founded . It is an umbrella organization for a number of independent associations in New German Cinema such as The New Producers and the Association of Film Directors , as well as regional groups like the ...
... Association of German Film was founded . It is an umbrella organization for a number of independent associations in New German Cinema such as The New Producers and the Association of Film Directors , as well as regional groups like the ...
Síða 60
... association . Taking advantage once again of the latitude afforded us by the polysemous nature of the French ( and English ) ... associations . ( " Montage of Cine - Attractions , " 1924 , RW 2 , p . 275 ; FW1 , p . 130 ) In cinema the ...
... association . Taking advantage once again of the latitude afforded us by the polysemous nature of the French ( and English ) ... associations . ( " Montage of Cine - Attractions , " 1924 , RW 2 , p . 275 ; FW1 , p . 130 ) In cinema the ...
Síða 61
... association " ( including , it hardly need be added , the connotations which psychoanalysis has accustomed us to ... associations " which determined the composition of a frame of Que Viva Mexico !, unravels in fact a whole series of ...
... association " ( including , it hardly need be added , the connotations which psychoanalysis has accustomed us to ... associations " which determined the composition of a frame of Que Viva Mexico !, unravels in fact a whole series of ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Common terms and phrases
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words