Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
From inside the book
Niðurstöður 1 - 3 af 15
Síða 11
... subjective factor " in any perception , recollection , or account . It also shows that factor to be an effect of discourse . Sander's film refracts a particular construction of history - an SDS construction - through the discourses of ...
... subjective factor " in any perception , recollection , or account . It also shows that factor to be an effect of discourse . Sander's film refracts a particular construction of history - an SDS construction - through the discourses of ...
Síða 12
... factor for admittance to their fellowships . Women enter these fellowships ... subjective and illusory . Together these three mechanisms - discursive ... Subjective Factor challenges all three mechanisms for effecting closure and ...
... factor for admittance to their fellowships . Women enter these fellowships ... subjective and illusory . Together these three mechanisms - discursive ... Subjective Factor challenges all three mechanisms for effecting closure and ...
Síða 15
... Subjective Factor , on the other hand , is female , and closely identified with the point of view which structures ... Subjective Factor's third - person voice speaks “ over ” the images and sounds of an earlier period , it is not extra ...
... Subjective Factor , on the other hand , is female , and closely identified with the point of view which structures ... Subjective Factor's third - person voice speaks “ over ” the images and sounds of an earlier period , it is not extra ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
12 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words