Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
From inside the book
Niðurstöður 1 - 3 af 26
Síða 39
... Sander film is utterly different , both in its effect upon the film text and upon the spectator . The most reductive explanation , and a persuasive one , focuses on the difference between Sander's utilizaton of a woman narrator to speak ...
... Sander film is utterly different , both in its effect upon the film text and upon the spectator . The most reductive explanation , and a persuasive one , focuses on the difference between Sander's utilizaton of a woman narrator to speak ...
Síða 40
... Sander's films , the other characters do not just share in the narrative authority ; rather , the authoritarianism of narration is avoided in favor of a relationship that sounds at times more like conversation than like any hierarchical ...
... Sander's films , the other characters do not just share in the narrative authority ; rather , the authoritarianism of narration is avoided in favor of a relationship that sounds at times more like conversation than like any hierarchical ...
Síða 41
... Sander and the other edi- tors of frauen und film ( then newly formed ) attacked the film , they par- ticularly cited this stupidity which had been foisted upon the character . Kluge was prone to justify the choice not to make a ...
... Sander and the other edi- tors of frauen und film ( then newly formed ) attacked the film , they par- ticularly cited this stupidity which had been foisted upon the character . Kluge was prone to justify the choice not to make a ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
12 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words