Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
From inside the book
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Síða 64
... Mitch's . And this is accomplished quite thoroughly - well before the iconic moment that symbolizes the effort : the gull's attack near her eyes . Melanie's ride out and back is marked most obviously by the repeated presentation of her ...
... Mitch's . And this is accomplished quite thoroughly - well before the iconic moment that symbolizes the effort : the gull's attack near her eyes . Melanie's ride out and back is marked most obviously by the repeated presentation of her ...
Síða 66
... Mitch sees " . So Mitch is in cahoots with the camera which is in cahoots with the birds ; they may all be in cahoots with the motor which has not only helped efface her look imagistically in the previous shots , but magically starts up ...
... Mitch sees " . So Mitch is in cahoots with the camera which is in cahoots with the birds ; they may all be in cahoots with the motor which has not only helped efface her look imagistically in the previous shots , but magically starts up ...
Síða 70
... Mitch's arm at her head . So Mitch's voice inhabits this frame in much the same way that his arm does : the part transcends the " other " whole while it marks that other whole with its intention , desire . For Mitch's disembodied voice ...
... Mitch's arm at her head . So Mitch's voice inhabits this frame in much the same way that his arm does : the part transcends the " other " whole while it marks that other whole with its intention , desire . For Mitch's disembodied voice ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
12 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words