Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
From inside the book
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Síða 32
... Kofman herself suggests , becomes the paradigm of all enigmas and , in Kofman , the central kernel around which she weaves the others . Unsurprisingly , Kofman's attitude toward Freud is itself enig- matic . She both defends Freud - she ...
... Kofman herself suggests , becomes the paradigm of all enigmas and , in Kofman , the central kernel around which she weaves the others . Unsurprisingly , Kofman's attitude toward Freud is itself enig- matic . She both defends Freud - she ...
Síða 33
... Kofman , in a footnote attack , is what recent female psychoanalysts have not understood . But just as Freud uses the observations of female analysts against them , so does Kofman . That is , in Kofman's exposing of previously neglected ...
... Kofman , in a footnote attack , is what recent female psychoanalysts have not understood . But just as Freud uses the observations of female analysts against them , so does Kofman . That is , in Kofman's exposing of previously neglected ...
Síða 36
... Kofman gives perhaps the clearest account to date of Freud's discussion of female sexuality — and this because she reviews an entire life's work on the subject — she never loses sight of the purely subjective , even novelistic side of ...
... Kofman gives perhaps the clearest account to date of Freud's discussion of female sexuality — and this because she reviews an entire life's work on the subject — she never loses sight of the purely subjective , even novelistic side of ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words