Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
From inside the book
Niðurstöður 1 - 3 af 29
Síða 102
... Ivan's movements in the first passage ( in particular his series of looks back and forth from right to left , shots 37 to 42 and I to K ) can be reiterated in the very greatest formal and figurative detail . Even before any analytical ...
... Ivan's movements in the first passage ( in particular his series of looks back and forth from right to left , shots 37 to 42 and I to K ) can be reiterated in the very greatest formal and figurative detail . Even before any analytical ...
Síða 131
... Ivan and his following . ( And , from this point of view , the decapitated heads of the Kolytchevs will be one of Ivan's answers . ) It is an attempt to punish Ivan for his presumptuousness and to weaken him by eliminating his sole ...
... Ivan and his following . ( And , from this point of view , the decapitated heads of the Kolytchevs will be one of Ivan's answers . ) It is an attempt to punish Ivan for his presumptuousness and to weaken him by eliminating his sole ...
Síða 137
... Ivan the Terrible , film director Sergei Eisenstein revealed his ignorance of historical fact by presenting ( ... ) Ivan the Terrible himself , who had determination and character , as weak and indecisive , a little like Hamlet . " This ...
... Ivan the Terrible , film director Sergei Eisenstein revealed his ignorance of historical fact by presenting ( ... ) Ivan the Terrible himself , who had determination and character , as weak and indecisive , a little like Hamlet . " This ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
12 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words