Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
From inside the book
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Síða 32
... Freud is itself enig- matic . She both defends Freud - she challenges his " bad readers " who , in the name of " the feminist cause " , treat a slippery and speculative text as if it were a log of scientific observations - and performs ...
... Freud is itself enig- matic . She both defends Freud - she challenges his " bad readers " who , in the name of " the feminist cause " , treat a slippery and speculative text as if it were a log of scientific observations - and performs ...
Síða 33
... Freud uses the observations of female analysts against them , so does Kofman . That is , in Kofman's exposing of previously neglected contradictions in the Freudian texts - contradictions without which his theory of female sexual- ity ...
... Freud uses the observations of female analysts against them , so does Kofman . That is , in Kofman's exposing of previously neglected contradictions in the Freudian texts - contradictions without which his theory of female sexual- ity ...
Síða 36
... Freud's discussion of female sexuality — and this because she reviews an entire life's work on the subject — she never loses sight of the purely subjective , even novelistic side of Freud's texts and thus avoids condemning him . And ...
... Freud's discussion of female sexuality — and this because she reviews an entire life's work on the subject — she never loses sight of the purely subjective , even novelistic side of Freud's texts and thus avoids condemning him . And ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words