Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
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Síða 116
... Eisenstein's account of written Japanese and Chinese , it should be recalled that he confines his examples to ancient hieroglyphs and their simplest surviving forms . In these , he finds a direct correspondence between representation ...
... Eisenstein's account of written Japanese and Chinese , it should be recalled that he confines his examples to ancient hieroglyphs and their simplest surviving forms . In these , he finds a direct correspondence between representation ...
Síða 239
... Eisenstein series (apart from very special cases of Eisenstein series which can be expressed in terms of Tate integrals). In all of these proofs it is convenient, if not essential, to assume (in the number field case) that the inducing ...
... Eisenstein series (apart from very special cases of Eisenstein series which can be expressed in terms of Tate integrals). In all of these proofs it is convenient, if not essential, to assume (in the number field case) that the inducing ...
Síða 280
... Eisenstein series is an element of the space of automorphic forms generated by these functions as we let м , л , F ,, d and D vary . Conjecture Every automorphic form is the derivative of an Eisenstein se- ries . † The goal of this ...
... Eisenstein series is an element of the space of automorphic forms generated by these functions as we let м , л , F ,, d and D vary . Conjecture Every automorphic form is the derivative of an Eisenstein se- ries . † The goal of this ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words