Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 4-6Wayne State University Press, 1976 |
From inside the book
Niðurstöður 1 - 3 af 19
Síða 107
... Achternbusch char- acter has also disintegrated , leaving the spectator with an awareness of all possible roles , but with a perception only of Achternbusch himself . Perhaps this does not altogether make clear that Achternbusch's films ...
... Achternbusch char- acter has also disintegrated , leaving the spectator with an awareness of all possible roles , but with a perception only of Achternbusch himself . Perhaps this does not altogether make clear that Achternbusch's films ...
Síða 110
... Achternbusch , showing up monstrosity , has to become a monster ( " In order to represent the ice , he has to turn to ice himself " ) . Personality is purified to become performance . VII . The Body at Risk Where Fassbinder saw ...
... Achternbusch , showing up monstrosity , has to become a monster ( " In order to represent the ice , he has to turn to ice himself " ) . Personality is purified to become performance . VII . The Body at Risk Where Fassbinder saw ...
Síða 111
... Achternbusch forces both language and image towards the literal rather than the figurative . And in this sense , his films might well be called post - narrative rather than anti - narrative . Yet one hesitates to describe his work in ...
... Achternbusch forces both language and image towards the literal rather than the figurative . And in this sense , his films might well be called post - narrative rather than anti - narrative . Yet one hesitates to describe his work in ...
Efni
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
12 aðrir hlutar ekki sýndir
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Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words