Transformations: Poems

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Open Road Media, 5. apr. 2016 - 111 síður
Pulitzer Prize–winning poet Anne Sexton morphs classic fairy tales into dark critiques of the cultural myths underpinning modern society

Anne Sexton breathes new life into sixteen age-old Brothers Grimm fairy tales, reimagining them as poems infused with contemporary references, feminist ideals, and morbid humor. Grounded by nods to the ordinary—a witch’s blood “began to boil up/like Coca-Cola” and Snow White’s bodice is “as tight as an Ace bandage”—Sexton brings the stories out of the realm of the fantastical and into the everyday world. Stripping away their magical sheen, she exposes the flawed notions of family, gender, and morality within the stories that continue to pervade our collective psyche.
 
Sexton is especially critical of what follows these tales’ happily-ever-after endings, noting that Cinderella never has to face the mundane struggles of marriage and growing old, such as “diapers and dust,” “telling the same story twice,” or “getting a middle-aged spread,” and that after being awakened Sleeping Beauty would likely be plagued by insomnia, taking “knock-out drops” behind the prince’s back. Deconstructed into vivid, visceral, and often highly amusing poems, these fairy tales reflect themes that have long fascinated Sexton—the claustrophobic anxiety of domestic life, the limited role of women in society, and a psychological strife more dangerous than any wicked witch or poisoned apple.
 
 

Efni

THE LITTLE PEASANT
CINDERELLA
THE MAIDEN WITHOUT HANDS
HANSEL AND GRETEL
Höfundarréttur

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Um höfundinn (2016)

Anne Sexton (1928–1974) was a Pulitzer Prize–winning American poet born in Newton, Massachusetts. She attended Garland Junior College for one year and briefly worked as a model. She married Alfred Muller Sexton II at age nineteen, and in 1953 gave birth to a daughter. Shortly after, she was diagnosed with postpartum depression. When Sexton attempted suicide after the birth of her second daughter, her doctor encouraged her to pursue her interest in writing poetry, and in the fall of 1957, she enrolled in a poetry workshop at the Boston Center for Adult Education.
 
Like Robert Lowell, Sylvia Plath, W. D. Snodgrass (who exerted a great influence on her work), and other Confessional poets, Sexton offers the reader an intimate view of the emotional anguish that characterized her life. The experience of being a woman was a central issue in her poetry, and though she endured criticism for bringing subjects such as menstruation, abortion, and drug addiction into her work, her skill as a poet transcended the controversy over her subject matter. Sexton’s poetry collections include To Bedlam and Part Way Back, All My Pretty Ones, Transformations, and Live or Die, which won the Pulitzer Prize for poetry in 1967. In 1974 at the age of forty-six, Sexton lost her battle with mental illness and committed suicide.
 

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