Discourse, Bindi 30,Útgáfa 32008 |
From inside the book
Niðurstöður 1 - 3 af 25
Síða 300
... spectator through its breakdown , drawing attention back to the space and scene of cinema itself . The oncoming bodily fragmenta- tion is matched by a splintering of perspectives , maintaining ambi- guity as to whether spectators are ...
... spectator through its breakdown , drawing attention back to the space and scene of cinema itself . The oncoming bodily fragmenta- tion is matched by a splintering of perspectives , maintaining ambi- guity as to whether spectators are ...
Síða 407
... spectator , as well . By opening the film with Hassan's sale of the gun and the boys ' experimentation with it , Iñárritu makes clear that , contrary to what American officials later believe , this is not in any way an act of ter ...
... spectator , as well . By opening the film with Hassan's sale of the gun and the boys ' experimentation with it , Iñárritu makes clear that , contrary to what American officials later believe , this is not in any way an act of ter ...
Síða 408
... spectator with a means for mediating seemingly immediate events ; he is facil- itating a contingent encounter . Babel works to produce a spectator attuned to the foundational role of contingency in shaping our exis- tence . At the point ...
... spectator with a means for mediating seemingly immediate events ; he is facil- itating a contingent encounter . Babel works to produce a spectator attuned to the foundational role of contingency in shaping our exis- tence . At the point ...
Efni
Contents | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Blunt Head Trauma and AccidentDriven Cinema | 373 |
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