Discourse, Bindi 30,Útgáfa 32008 |
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Niðurstöður 1 - 3 af 22
Síða 387
... past . As the film opens , he has been living without an identity in a state mental insti- tution ; his doctors have ... past experiences with one another or with present ones . What Smith has lost , however , is the ability to recall ...
... past . As the film opens , he has been living without an identity in a state mental insti- tution ; his doctors have ... past experiences with one another or with present ones . What Smith has lost , however , is the ability to recall ...
Síða 390
... past one. Figure 2. The incidental jump cut . From Random Harvest ( dir . Mervyn LeRoy ) , 2005 Turner Entertainment Co. and Warner Bros. Entertainment Inc. Figure 3. Random Harvest : The past returns in multiple. 390 René Thoreau Bruckner.
... past one. Figure 2. The incidental jump cut . From Random Harvest ( dir . Mervyn LeRoy ) , 2005 Turner Entertainment Co. and Warner Bros. Entertainment Inc. Figure 3. Random Harvest : The past returns in multiple. 390 René Thoreau Bruckner.
Síða 391
... past and present finally gives way to a triple exposure as the accident scene transitions into the next one . This can be seen as a typical time - lapse dissolve , but with the added temporal dimension of the explosive , returned past ...
... past and present finally gives way to a triple exposure as the accident scene transitions into the next one . This can be seen as a typical time - lapse dissolve , but with the added temporal dimension of the explosive , returned past ...
Efni
Contents | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Blunt Head Trauma and AccidentDriven Cinema | 373 |
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acci accident accidental aesthetic amnesia anxiety artists automobile Babel body California Press camera car crash Chieko Christian Marclay cinema Cinematograph collision containment contingent event Crash Injury Crash Test Dummy cultural David Lynch dent desire destruction disaster discourse documentary early film Edgar Kennedy effect Emergence of Cinematic encounter enframing epidemiological essay experience figure film's filmic filmmakers Fluxus force frame global Guitar Drag head injury Hepworth high-speed Hot Zone Hugh De Haven human Ibid impact Iñárritu infection ITTE James Byrd Jr laboratory Leo Cahill Lumière Marclay's Mary Ann Doane Modernity motorists Mulholland Drive Muybridge Nam June Paik necessity ontological outbreak narratives Paik Paul Virilio performance photographic present produced punk rock quotation Random Harvest reveals safety scene screen sense Severy shooting shot space spectacle spectator speed Stapp structure Studies Susan technologies temporal tion trans trauma University of California University Press violence Virilio visual York