Discourse, Bindi 30,Útgáfa 32008 |
From inside the book
Niðurstöður 1 - 3 af 14
Síða 374
... opening jit- terbug montage and then a distinct but enigmatic shot of wrinkled sheets in a darkened bedroom , a location that will not become famil- iar until the end of the film . This image dissolves into a nighttime exterior scene ...
... opening jit- terbug montage and then a distinct but enigmatic shot of wrinkled sheets in a darkened bedroom , a location that will not become famil- iar until the end of the film . This image dissolves into a nighttime exterior scene ...
Síða 385
... opening of the shutter to effect its invisi- ble collision ; and each gap between photographs , unphotographed and unseen , stands as a bit of lost time . Likewise , in film , the interval between frames preserves a special kind of ...
... opening of the shutter to effect its invisi- ble collision ; and each gap between photographs , unphotographed and unseen , stands as a bit of lost time . Likewise , in film , the interval between frames preserves a special kind of ...
Síða 450
... opening sequences envision the public realm as less a sphere at risk of penetration and more an ever - shifting fluid exchange ( and an exchange of fluids ) . Both ideologies - that of the closed space invaded from outside and that of ...
... opening sequences envision the public realm as less a sphere at risk of penetration and more an ever - shifting fluid exchange ( and an exchange of fluids ) . Both ideologies - that of the closed space invaded from outside and that of ...
Efni
Contents | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Blunt Head Trauma and AccidentDriven Cinema | 373 |
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