Discourse, Bindi 30,Útgáfa 32008 |
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Niðurstöður 1 - 3 af 41
Síða 279
... move , and keep moving at full tilt , in order to “ write " at all , cinema would seem to be specially marked by its capacity for high - speed collisions . Its highly sensitive recording medium reduplicates exposure to , and exposures ...
... move , and keep moving at full tilt , in order to “ write " at all , cinema would seem to be specially marked by its capacity for high - speed collisions . Its highly sensitive recording medium reduplicates exposure to , and exposures ...
Síða 327
... move , the car's intersection with cinema produces bodies and modes of vision that are decentered , abstract ... moving in various directions across the screen . Throughout The Other Fellow , the absence of a clear point of view is ...
... move , the car's intersection with cinema produces bodies and modes of vision that are decentered , abstract ... moving in various directions across the screen . Throughout The Other Fellow , the absence of a clear point of view is ...
Síða 333
... move , an acceleration that was exacerbated by the military needs of both the Korean War and the Vietnam War . As they trace the development of a visual and linguistic rhetoric of what came to be called passive safety , the apparently ...
... move , an acceleration that was exacerbated by the military needs of both the Korean War and the Vietnam War . As they trace the development of a visual and linguistic rhetoric of what came to be called passive safety , the apparently ...
Efni
Contents | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Blunt Head Trauma and AccidentDriven Cinema | 373 |
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acci accident accidental aesthetic amnesia anxiety artists automobile Babel body California Press camera car crash Chieko Christian Marclay cinema Cinematograph collision containment contingent event Crash Injury Crash Test Dummy cultural David Lynch dent desire destruction disaster discourse documentary early film Edgar Kennedy effect Emergence of Cinematic encounter enframing epidemiological essay experience figure film's filmic filmmakers Fluxus force frame global Guitar Drag head injury Hepworth high-speed Hot Zone Hugh De Haven human Ibid impact Iñárritu infection ITTE James Byrd Jr laboratory Leo Cahill Lumière Marclay's Mary Ann Doane Modernity motorists Mulholland Drive Muybridge Nam June Paik necessity ontological outbreak narratives Paik Paul Virilio performance photographic present produced punk rock quotation Random Harvest reveals safety scene screen sense Severy shooting shot space spectacle spectator speed Stapp structure Studies Susan technologies temporal tion trans trauma University of California University Press violence Virilio visual York