Discourse, Bindi 30,Útgáfa 32008 |
From inside the book
Niðurstöður 1 - 3 af 29
Síða 327
... hand proliferates into multi- ple hands , each one demonstrating a different sign , the viewer's attempt to learn the language of the road is overtaken by a fascina- tion with the visual montage . This interest in form over content and ...
... hand proliferates into multi- ple hands , each one demonstrating a different sign , the viewer's attempt to learn the language of the road is overtaken by a fascina- tion with the visual montage . This interest in form over content and ...
Síða 329
... hand seems literally not to know what the left hand is doing . And , as such , the film stages driving and responsibility as a double prob- lem - that of regulating drivers who are at times not in the driver's seat , opaque to ...
... hand seems literally not to know what the left hand is doing . And , as such , the film stages driving and responsibility as a double prob- lem - that of regulating drivers who are at times not in the driver's seat , opaque to ...
Síða 448
... hand , the epidemiological stance that turns individuals into populations categorized by risk factors , poten- tially measurable and knowable , and , on the other hand , individu- als who experience the radical exception to daily life ...
... hand , the epidemiological stance that turns individuals into populations categorized by risk factors , poten- tially measurable and knowable , and , on the other hand , individu- als who experience the radical exception to daily life ...
Efni
Contents | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Blunt Head Trauma and AccidentDriven Cinema | 373 |
4 aðrir hlutar ekki sýndir
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acci accident accidental aesthetic amnesia anxiety artists automobile Babel body California Press camera car crash Chieko Christian Marclay cinema Cinematograph collision containment contingent event Crash Injury Crash Test Dummy cultural David Lynch dent desire destruction disaster discourse documentary early film Edgar Kennedy effect Emergence of Cinematic encounter enframing epidemiological essay experience figure film's filmic filmmakers Fluxus force frame global Guitar Drag head injury Hepworth high-speed Hot Zone Hugh De Haven human Ibid impact Iñárritu infection ITTE James Byrd Jr laboratory Leo Cahill Lumière Marclay's Mary Ann Doane Modernity motorists Mulholland Drive Muybridge Nam June Paik necessity ontological outbreak narratives Paik Paul Virilio performance photographic present produced punk rock quotation Random Harvest reveals safety scene screen sense Severy shooting shot space spectacle spectator speed Stapp structure Studies Susan technologies temporal tion trans trauma University of California University Press violence Virilio visual York