Discourse, Bindi 30,Útgáfa 32008 |
From inside the book
Niðurstöður 1 - 3 af 27
Síða 427
... chance and accident , the shifting borders between music and noise . " 1 In fact , Townshend claimed on a number of ... chance , and inde- terminacy as the basis of kinesis and destruction in political , psy- chological , and social ...
... chance and accident , the shifting borders between music and noise . " 1 In fact , Townshend claimed on a number of ... chance , and inde- terminacy as the basis of kinesis and destruction in political , psy- chological , and social ...
Síða 436
... chance that were once operative upon its production . A video or film is a stable tex- tual object that will not change , and therefore chance is no longer an operative force in any audiovisual recording as it unfolds in time ...
... chance that were once operative upon its production . A video or film is a stable tex- tual object that will not change , and therefore chance is no longer an operative force in any audiovisual recording as it unfolds in time ...
Síða 437
... Chance , like presence , always exceeds the ontological lim- its of audiovisual representation . When viewing and listening to Gui- tar Drag , we are made aware of a chance - based process that once brought a musical performance into ...
... Chance , like presence , always exceeds the ontological lim- its of audiovisual representation . When viewing and listening to Gui- tar Drag , we are made aware of a chance - based process that once brought a musical performance into ...
Efni
Contents | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Blunt Head Trauma and AccidentDriven Cinema | 373 |
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acci accident accidental aesthetic amnesia anxiety artists automobile Babel body California Press camera car crash Chieko Christian Marclay cinema Cinematograph collision containment contingent event Crash Injury Crash Test Dummy cultural David Lynch dent desire destruction disaster discourse documentary early film Edgar Kennedy effect Emergence of Cinematic encounter enframing epidemiological essay experience figure film's filmic filmmakers Fluxus force frame global Guitar Drag head injury Hepworth high-speed Hot Zone Hugh De Haven human Ibid impact Iñárritu infection ITTE James Byrd Jr laboratory Leo Cahill Lumière Marclay's Mary Ann Doane Modernity motorists Mulholland Drive Muybridge Nam June Paik necessity ontological outbreak narratives Paik Paul Virilio performance photographic present produced punk rock quotation Random Harvest reveals safety scene screen sense Severy shooting shot space spectacle spectator speed Stapp structure Studies Susan technologies temporal tion trans trauma University of California University Press violence Virilio visual York