Discourse, Bindi 30,Útgáfa 32008 |
From inside the book
Niðurstöður 1 - 3 af 24
Síða 283
... aesthetic development of the medium , a relationship made explicit in a series of trick films produced in Great Britain about traffic accidents . Cahill reads Cecil Hepworth's How It Feels to Be Run Over ( 1900 ) and other early films ...
... aesthetic development of the medium , a relationship made explicit in a series of trick films produced in Great Britain about traffic accidents . Cahill reads Cecil Hepworth's How It Feels to Be Run Over ( 1900 ) and other early films ...
Síða 296
... aesthetic reori- entation , beginning around 1906 , from what film historians André Gaudreault and Tom Gunning describe as the shift from the cinema of attractions ( the dominant mode of early filmic representation whose primary ...
... aesthetic reori- entation , beginning around 1906 , from what film historians André Gaudreault and Tom Gunning describe as the shift from the cinema of attractions ( the dominant mode of early filmic representation whose primary ...
Síða 324
... aesthetic that can be traced back to the inter- section of the car accident and the camera in cinema's early years , an aesthetic that demonstrates greater affinities with slapstick , experimental film practice , animation , and fantasy ...
... aesthetic that can be traced back to the inter- section of the car accident and the camera in cinema's early years , an aesthetic that demonstrates greater affinities with slapstick , experimental film practice , animation , and fantasy ...
Efni
Contents | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Blunt Head Trauma and AccidentDriven Cinema | 373 |
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acci accident accidental aesthetic amnesia anxiety artists automobile Babel body California Press camera car crash Chieko Christian Marclay cinema Cinematograph collision containment contingent event Crash Injury Crash Test Dummy cultural David Lynch dent desire destruction disaster discourse documentary early film Edgar Kennedy effect Emergence of Cinematic encounter enframing epidemiological essay experience figure film's filmic filmmakers Fluxus force frame global Guitar Drag head injury Hepworth high-speed Hot Zone Hugh De Haven human Ibid impact Iñárritu infection ITTE James Byrd Jr laboratory Leo Cahill Lumière Marclay's Mary Ann Doane Modernity motorists Mulholland Drive Muybridge Nam June Paik necessity ontological outbreak narratives Paik Paul Virilio performance photographic present produced punk rock quotation Random Harvest reveals safety scene screen sense Severy shooting shot space spectacle spectator speed Stapp structure Studies Susan technologies temporal tion trans trauma University of California University Press violence Virilio visual York