Discourse, Bindi 342012 |
From inside the book
Niðurstöður 1 - 3 af 27
Síða 175
... shots ? " 37 Given the extended duration of each shot , the last shot - lasting more than six and a half minutes - offers the most provocative answer to Moritz and O'Neill's question , which they describe thus : [ T ] he image cuts to ...
... shots ? " 37 Given the extended duration of each shot , the last shot - lasting more than six and a half minutes - offers the most provocative answer to Moritz and O'Neill's question , which they describe thus : [ T ] he image cuts to ...
Síða 304
... shot in which most of the frame depicts the blurred darkness of the subway car and its passengers except for Frannie's face , which is engrossed in what she sees on the subway wall . This shot functions as a close- up on her act of ...
... shot in which most of the frame depicts the blurred darkness of the subway car and its passengers except for Frannie's face , which is engrossed in what she sees on the subway wall . This shot functions as a close- up on her act of ...
Síða 307
... shot and the objective shot by calling attention to how one shot develops out of the other . Often her female characters ' passions are subjectivized not through point - of - view shots but instead by being rooted in and thus ...
... shot and the objective shot by calling attention to how one shot develops out of the other . Often her female characters ' passions are subjectivized not through point - of - view shots but instead by being rooted in and thus ...
Aðrar útgáfur - View all
Common terms and phrases
aesthetic allusions animation animistic Asia as Method Asian becomes Bill Hicks Caillois camera Campion characters cinema cinematic identification comedy critical critique describes desire diegetic discourse disembodied edited effervescence episode essay ethnic experience fag hag Family Guy fatigue Felisberto female fetishism figure Film Festival film studies film's filmmaking frame Freud Gesture Gilmore Girls global Hata Hata's human Ibid ilinx Invasion films Jetée La Jetée living Lorelai Malvina's Margaret Cho Mary Ann Doane mimesis modern modes mother and daughter movement narrative object onscreen Orientalism passion Passionless Moments Piano Tuner plants play pods political Pollack's film psychoanalysis Quays queer racial relation relationship representation Rory Rosetta Said's scene sense sexual shot Slavoj Žižek social space Spider-Man structure suggests television temporal term theory tion tiredness translated Tylor University Press vegetal viewer visual Walter Benjamin Wayne State University weariness Wendy Wendy's women York