Discourse, Bindi 342012 |
From inside the book
Niðurstöður 1 - 3 af 78
Síða 116
... sense , its field of intervention certainly is the history of film theory ; I want to insist that film theory's ways ... sense of identification that we have with Peter . In its transitional function , linking two locations , it also ...
... sense , its field of intervention certainly is the history of film theory ; I want to insist that film theory's ways ... sense of identification that we have with Peter . In its transitional function , linking two locations , it also ...
Síða 126
... sense of mimesis that we film theorists have inherited from Walter Benjamin and that has been expertly elaborated with respect to the cinema by Miriam Hansen.28 Importantly , this sense of mimesis does not only or even centrally refer ...
... sense of mimesis that we film theorists have inherited from Walter Benjamin and that has been expertly elaborated with respect to the cinema by Miriam Hansen.28 Importantly , this sense of mimesis does not only or even centrally refer ...
Síða 316
sense , fatigue calls up questions of relationality and dependency in that the fatigued body , in its slackening , implicitly requires a sup- port . Deleuze , in his discussion of postwar art cinema's embodied sensibility , notes one ...
sense , fatigue calls up questions of relationality and dependency in that the fatigued body , in its slackening , implicitly requires a sup- port . Deleuze , in his discussion of postwar art cinema's embodied sensibility , notes one ...
Efni
Gilmore Girls and the Elasticity | 3 |
A Theory of Effeminate Enthusiasms | 59 |
Strategies | 93 |
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