Discourse, Bindi 342012 |
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Síða 125
... identification with their protagonists . In so doing , we shall see , they lay bare fun- damental aspects of the processes of cinematic identification . Roger Caillois : Mimesis and Ilinx As I indicated at the outset , two concepts are ...
... identification with their protagonists . In so doing , we shall see , they lay bare fun- damental aspects of the processes of cinematic identification . Roger Caillois : Mimesis and Ilinx As I indicated at the outset , two concepts are ...
Síða 131
... identification . Secondary cinematic identification is the sort of identification that is ordinarily at issue in film studies ( and more broadly ) : our identification with one or several char- acters . Whatever mimetic relation we may ...
... identification . Secondary cinematic identification is the sort of identification that is ordinarily at issue in film studies ( and more broadly ) : our identification with one or several char- acters . Whatever mimetic relation we may ...
Síða 134
... identification being its compensatory recuperation . According to a well - known scheme , the cinemas of attractions ( both old and new ) would have their aesthetic center of gravity in exacerbating mime- sis and / or ilinx , while ...
... identification being its compensatory recuperation . According to a well - known scheme , the cinemas of attractions ( both old and new ) would have their aesthetic center of gravity in exacerbating mime- sis and / or ilinx , while ...
Efni
Gilmore Girls and the Elasticity | 3 |
A Theory of Effeminate Enthusiasms | 59 |
Strategies | 93 |
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