Discourse, Bindi 342012 |
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... filmmaking , we might very easily overlook what is in fact quite remarkable about it : even as it elicits strong character identification , it also exacerbates the sensational impact of the film . On the one hand , it enmeshes us ever ...
... filmmaking , we might very easily overlook what is in fact quite remarkable about it : even as it elicits strong character identification , it also exacerbates the sensational impact of the film . On the one hand , it enmeshes us ever ...
Síða 125
... filmmaking . Like its cousins , Spider - Man insists upon this dynamic polarity between the bodies on- and offscreen . This divergence between bodies in the audience and onscreen is neither new nor unique to this type of film or filmmaking ...
... filmmaking . Like its cousins , Spider - Man insists upon this dynamic polarity between the bodies on- and offscreen . This divergence between bodies in the audience and onscreen is neither new nor unique to this type of film or filmmaking ...
Síða 140
... filmmaking , including early use of computer technologies in the Star Wars franchise , see Julie Turnock , " Before Industrial Light and Magic , ” New Review of Film and Television Studies 7 , no . 2 ( 2009 ) : 133-56 , and Plastic ...
... filmmaking , including early use of computer technologies in the Star Wars franchise , see Julie Turnock , " Before Industrial Light and Magic , ” New Review of Film and Television Studies 7 , no . 2 ( 2009 ) : 133-56 , and Plastic ...
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