Discourse, Bindi 342012 |
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Síða 119
... figure 2.1 ) . The continual changes of camera angle and cant also give us a vertiginous feeling of disorientation , although this feeling is still small and incipient ; it will become major and dominant. Figure 2 : Second shot . Figure ...
... figure 2.1 ) . The continual changes of camera angle and cant also give us a vertiginous feeling of disorientation , although this feeling is still small and incipient ; it will become major and dominant. Figure 2 : Second shot . Figure ...
Síða 120
... figure 2.2 ) . In the next shot , he jumps from rooftop to rooftop , landing at the top of a dome for a pregnant moment of decision ( figure 3 ) : Will he really do ... Figure 4 : First POV figure . Figure 4.1 : 120 Scott C. Richmond.
... figure 2.2 ) . In the next shot , he jumps from rooftop to rooftop , landing at the top of a dome for a pregnant moment of decision ( figure 3 ) : Will he really do ... Figure 4 : First POV figure . Figure 4.1 : 120 Scott C. Richmond.
Síða 121
... ( figure 5 ) . There are two direct , subjective point - of - view ( POV ) shots , both of which are of rapidly approaching surfaces ( a building , a bridge ) ... Figures of swooping and following . Figure. How to Look at Superheroes 121.
... ( figure 5 ) . There are two direct , subjective point - of - view ( POV ) shots , both of which are of rapidly approaching surfaces ( a building , a bridge ) ... Figures of swooping and following . Figure. How to Look at Superheroes 121.
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