Discourse, Bindi 342012 |
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Síða 131
... cinematic identification . Second , and directly against the grain of Metz's claims , I aim to restore to identification the sense it has of a becoming unbounded rather than a shoring up of our boundedness . And finally , I hope to ...
... cinematic identification . Second , and directly against the grain of Metz's claims , I aim to restore to identification the sense it has of a becoming unbounded rather than a shoring up of our boundedness . And finally , I hope to ...
Síða 132
... cinema offers us the chance to return to the infantile state of undifferentiation of the ego and nonego . Metz's primary cinematic identification is thus a perceptual becom- ing - unbounded endemic to the cinema and is a direct cognate ...
... cinema offers us the chance to return to the infantile state of undifferentiation of the ego and nonego . Metz's primary cinematic identification is thus a perceptual becom- ing - unbounded endemic to the cinema and is a direct cognate ...
Síða 134
... identification being its compensatory recuperation . According to a well - known scheme , the cinemas of attractions ... cinematic identification are necessarily related , as are mimesis and secondary cinematic identification ...
... identification being its compensatory recuperation . According to a well - known scheme , the cinemas of attractions ... cinematic identification are necessarily related , as are mimesis and secondary cinematic identification ...
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aesthetic allusions animation animistic Asia as Method Asian becomes Bill Hicks Caillois camera Campion characters cinema cinematic identification comedy critical critique describes desire diegetic discourse disembodied edited effervescence episode essay ethnic experience fag hag Family Guy fatigue Felisberto female fetishism figure Film Festival film studies film's filmmaking frame Freud Gesture Gilmore Girls global Hata Hata's human Ibid ilinx Invasion films Jetée La Jetée living Lorelai Malvina's Margaret Cho Mary Ann Doane mimesis modern modes mother and daughter movement narrative object onscreen Orientalism passion Passionless Moments Piano Tuner plants play pods political Pollack's film psychoanalysis Quays queer racial relation relationship representation Rory Rosetta Said's scene sense sexual shot Slavoj Žižek social space Spider-Man structure suggests television temporal term theory tion tiredness translated Tylor University Press vegetal viewer visual Walter Benjamin Wayne State University weariness Wendy Wendy's women York