Discourse, Bindi 342012 |
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Niðurstöður 1 - 3 af 82
Síða 123
... body's movement through an alleyway , up a wall , down Fifth Avenue.11 And so , we have two bodies here in a kind of dynamic polarity : Peter's athletic , power- ful , impossible , out - of - control , diaphanous , laboring , and nearly ...
... body's movement through an alleyway , up a wall , down Fifth Avenue.11 And so , we have two bodies here in a kind of dynamic polarity : Peter's athletic , power- ful , impossible , out - of - control , diaphanous , laboring , and nearly ...
Síða 129
... body , I am attuned to the body onscreen ; at the ilinctic level of a perceptual and indeed proprioceptive unbinding , I find myself attuned to the world unfolding before me onscreen . ( Proprioception here names the perceptual ...
... body , I am attuned to the body onscreen ; at the ilinctic level of a perceptual and indeed proprioceptive unbinding , I find myself attuned to the world unfolding before me onscreen . ( Proprioception here names the perceptual ...
Síða 312
... body , but also never ceases to pass on , to pass through.3 This is the constancy of an indeterminate state of abeyance , of lassitude , torpor , the intertwining of its metaphysi- cal , aesthetic , and political dimensions . Can we ...
... body , but also never ceases to pass on , to pass through.3 This is the constancy of an indeterminate state of abeyance , of lassitude , torpor , the intertwining of its metaphysi- cal , aesthetic , and political dimensions . Can we ...
Efni
Gilmore Girls and the Elasticity | 3 |
A Theory of Effeminate Enthusiasms | 59 |
Strategies | 93 |
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