Discourse, Bindi 342012 |
From inside the book
Niðurstöður 1 - 3 af 17
Síða 9
... allusions simultaneously stands in for what will lose the mother , each begetting also a figure of disappearance . Allusions to popular culture are so taken for granted as com- prising the program's textual strategy and pleasures that ...
... allusions simultaneously stands in for what will lose the mother , each begetting also a figure of disappearance . Allusions to popular culture are so taken for granted as com- prising the program's textual strategy and pleasures that ...
Síða 10
... allusions in Gilmore Girls are meant to resist such a translation and discursive hailing . These allusions are so very obscure , so very quickly spoken , so dense and so odd , and so many , that despite the glossary's nod at revelation ...
... allusions in Gilmore Girls are meant to resist such a translation and discursive hailing . These allusions are so very obscure , so very quickly spoken , so dense and so odd , and so many , that despite the glossary's nod at revelation ...
Síða 28
... allusion . And we should ask : What is an allusion that cannot be exhausted , that endlessly defers its resting ... allusions and their too - fast spoken pacing are themselves one structure of finitude , the infiniteness of meaning ...
... allusion . And we should ask : What is an allusion that cannot be exhausted , that endlessly defers its resting ... allusions and their too - fast spoken pacing are themselves one structure of finitude , the infiniteness of meaning ...
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aesthetic allusions animation animistic Asia as Method Asian becomes Bill Hicks Caillois camera Campion characters cinema cinematic identification comedy critical critique describes desire diegetic discourse disembodied edited effervescence episode essay ethnic experience fag hag Family Guy fatigue Felisberto female fetishism figure Film Festival film studies film's filmmaking frame Freud Gesture Gilmore Girls global Hata Hata's human Ibid ilinx Invasion films Jetée La Jetée living Lorelai Malvina's Margaret Cho Mary Ann Doane mimesis modern modes mother and daughter movement narrative object onscreen Orientalism passion Passionless Moments Piano Tuner plants play pods political Pollack's film psychoanalysis Quays queer racial relation relationship representation Rory Rosetta Said's scene sense sexual shot Slavoj Žižek social space Spider-Man structure suggests television temporal term theory tion tiredness translated Tylor University Press vegetal viewer visual Walter Benjamin Wayne State University weariness Wendy Wendy's women York