Discourse, Bindi 342012 |
From inside the book
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Síða 124
... human impossibility of the figures onscreen . The aesthetics of such sequences are themselves rich and com- plex and perhaps more illuminating . Spider - Man shares its inter- est in flight with a number of contemporaneous films ...
... human impossibility of the figures onscreen . The aesthetics of such sequences are themselves rich and com- plex and perhaps more illuminating . Spider - Man shares its inter- est in flight with a number of contemporaneous films ...
Síða 125
... Spider - Man films more gen- erally , we are identified with Peter / Spider - Man : we do , after all , hear his breathing , get his reaction shots , etc. The narrative and the visual design also work hard to consolidate this ...
... Spider - Man films more gen- erally , we are identified with Peter / Spider - Man : we do , after all , hear his breathing , get his reaction shots , etc. The narrative and the visual design also work hard to consolidate this ...
Síða 136
... person shooters - as well as the third - person action / adventure style that is common among recent Spider - Man game adaptations , including Spider - Man : Shattered Dimensions ( 2010 ) and The Amazing Spider - Man ( 2012 ) -configure ...
... person shooters - as well as the third - person action / adventure style that is common among recent Spider - Man game adaptations , including Spider - Man : Shattered Dimensions ( 2010 ) and The Amazing Spider - Man ( 2012 ) -configure ...
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