Discourse: Journal for Theoretical Studies in Media and Culture, Bindi 12,Hluti 1Indiana University Press, 1989 |
From inside the book
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Síða 16
... shocks . Or more precisely , his being an aesthetic purveyor of the " shock of the new " is parasitic on his being a consumer of these shocks . The modernist - at least in the mode of Stravinsky and Milhaud — is like the small ...
... shocks . Or more precisely , his being an aesthetic purveyor of the " shock of the new " is parasitic on his being a consumer of these shocks . The modernist - at least in the mode of Stravinsky and Milhaud — is like the small ...
Síða 17
... shock to Milhaud's own system of musical expectations , and then the quite different shock to the Parisian audiences of his Brazilian - inspired music . ( Similarly , Picasso's traumatic encounter with African masks in the Musée d ...
... shock to Milhaud's own system of musical expectations , and then the quite different shock to the Parisian audiences of his Brazilian - inspired music . ( Similarly , Picasso's traumatic encounter with African masks in the Musée d ...
Síða 80
... shock - effect , " or Brecht's " alienation- effect " that provokes a potentially critical response from an audience , a heightened presence of mind , in Benjamin's terms . Ideally , an audience forced to reevaluate its habits in ...
... shock - effect , " or Brecht's " alienation- effect " that provokes a potentially critical response from an audience , a heightened presence of mind , in Benjamin's terms . Ideally , an audience forced to reevaluate its habits in ...
Efni
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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