Discourse: Journal for Theoretical Studies in Media and Culture, Bindi 12,Hluti 1Indiana University Press, 1989 |
From inside the book
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Síða 9
... Stravinsky's assimilation of folk music , and in the various modernist uses of imagery from the circus or the com- media dell'arte ( Satie , Picasso , Stravinsky ) . That is , I suspect there will be strong theoretical returns if we ...
... Stravinsky's assimilation of folk music , and in the various modernist uses of imagery from the circus or the com- media dell'arte ( Satie , Picasso , Stravinsky ) . That is , I suspect there will be strong theoretical returns if we ...
Síða 12
... Stravinsky , Milhaud clearly does not treat jazz as some interesting foreign musical component to be incor- porated in his compositions for reasons of purely formal play , satire , caricature , humor , shock , stylistic masquerade , or ...
... Stravinsky , Milhaud clearly does not treat jazz as some interesting foreign musical component to be incor- porated in his compositions for reasons of purely formal play , satire , caricature , humor , shock , stylistic masquerade , or ...
Síða 14
... Stravinsky's stance as a bricoleur ( whether in the form of parodist , satirist , or caricaturist ) . Nonetheless , the fact that Stravinsky did not strike an authenticist pose is quite compatible with his having produced work more in ...
... Stravinsky's stance as a bricoleur ( whether in the form of parodist , satirist , or caricaturist ) . Nonetheless , the fact that Stravinsky did not strike an authenticist pose is quite compatible with his having produced work more in ...
Efni
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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