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Síða 132
to critique it : the object is not , or should not be , “ you , ” but rather “ your voice ” ( “ I say ' you , ' ' y- , ' but more exactly it is your voice ” ) . It is not " you " ( toi ) , but “ your voice ” that she listens to .
to critique it : the object is not , or should not be , “ you , ” but rather “ your voice ” ( “ I say ' you , ' ' y- , ' but more exactly it is your voice ” ) . It is not " you " ( toi ) , but “ your voice ” that she listens to .
Síða 145
The telephone produces or performs a metonymy , Cixous says : your voice for you . Not a contraction or an ellipsis , not even “ t ” ” ( which might itself be taken as a sort of grammatical synecdoche ) , but a voice without its body .
The telephone produces or performs a metonymy , Cixous says : your voice for you . Not a contraction or an ellipsis , not even “ t ” ” ( which might itself be taken as a sort of grammatical synecdoche ) , but a voice without its body .
Síða 184
It is the voice — and the friend — whose singularity is borrowed , metonymically , in the figure of the singular ear . Derrida says as much in the opening sentences of the " Heidegger's Ear , " after the first citation of Heidegger's ...
It is the voice — and the friend — whose singularity is borrowed , metonymically , in the figure of the singular ear . Derrida says as much in the opening sentences of the " Heidegger's Ear , " after the first citation of Heidegger's ...
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Efni
Jacques Derrida Allegorical Portrait | 21 |
Questce qui arrive?Two Texts Divided in Two After | 54 |
Hélène Cixous translation by Peggy Kamuf | 123 |
Höfundarréttur | |
3 aðrir hlutar ekki sýndir
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according already animal appears arrive autobiography become beginning blindness body Chicago Cixous comes comparative literature concept constitution course death democracy difference effect English essay event everything example eyes face fact figure force French ghost give given going hand happens hear Hélène human Ibid Jacques Derrida keys language least less listen literary living logic longer look marked means mourning never object once original Paris performative perhaps person philosophical play plurality political possible present proper name question quotation receive reference reflection relation remains response scene secret seems seen sense sentence signifier singular someone speak specter spectral speech Stanford structure talking telephone thing thought tion trace trans translation turn University University Press visible voice writing