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Síða 78
Here again is the question in the form in which it bursts out in public , at MOMA , mimed by a stroke of Artaud the Momo's pencil , and you who , after the stroke , après coup , once again mime it in turn , send it off again , pursue it ...
Here again is the question in the form in which it bursts out in public , at MOMA , mimed by a stroke of Artaud the Momo's pencil , and you who , after the stroke , après coup , once again mime it in turn , send it off again , pursue it ...
Síða 201
It is not difficult to imagine on the basis of Aristotle's analysis that democracy , as the “ least bad ” of the deviant forms , might always be going to turn out to be the best case of all , if for example one could show that the ...
It is not difficult to imagine on the basis of Aristotle's analysis that democracy , as the “ least bad ” of the deviant forms , might always be going to turn out to be the best case of all , if for example one could show that the ...
Síða 218
Each of these terms demands or asks for an elaborate , more or less interminable , development and analysis as the twists and turns of Derrida's uses of the terms could be followed from work to work .
Each of these terms demands or asks for an elaborate , more or less interminable , development and analysis as the twists and turns of Derrida's uses of the terms could be followed from work to work .
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Efni
Jacques Derrida Allegorical Portrait | 21 |
Questce qui arrive?Two Texts Divided in Two After | 54 |
Hélène Cixous translation by Peggy Kamuf | 123 |
Höfundarréttur | |
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according already animal appears arrive autobiography become beginning blindness body Chicago Cixous comes comparative literature concept constitution course death democracy difference effect English essay event everything example eyes face fact figure force French ghost give given going hand happens hear Hélène human Ibid Jacques Derrida keys language least less listen literary living logic longer look marked means mourning never object once original Paris performative perhaps person philosophical play plurality political possible present proper name question quotation receive reference reflection relation remains response scene secret seems seen sense sentence signifier singular someone speak specter spectral speech Stanford structure talking telephone thing thought tion trace trans translation turn University University Press visible voice writing