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Síða 228
This concern with the effaced trace of the other calls for a concept of writing and speech able to discern what Spivak calls the " trace - structure of expression . " Derrida's concern with the inarticulate cry further calls for a ...
This concern with the effaced trace of the other calls for a concept of writing and speech able to discern what Spivak calls the " trace - structure of expression . " Derrida's concern with the inarticulate cry further calls for a ...
Síða 237
In this notion of speech , the traces of mourning may manifest themselves as the very force that challenges the ... In this sense , mourning would be the affective underpinning of a speech that harbors death as a trace and supplement .
In this notion of speech , the traces of mourning may manifest themselves as the very force that challenges the ... In this sense , mourning would be the affective underpinning of a speech that harbors death as a trace and supplement .
Síða 238
The poem performs an encounter between Jacques Derrida and Samuel Beckett , two of the greatest writers of our time who continue profoundly to shape contemporary philosophical thought and its awareness of death as the trace and sup ...
The poem performs an encounter between Jacques Derrida and Samuel Beckett , two of the greatest writers of our time who continue profoundly to shape contemporary philosophical thought and its awareness of death as the trace and sup ...
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Efni
Jacques Derrida Allegorical Portrait | 21 |
Questce qui arrive?Two Texts Divided in Two After | 54 |
Hélène Cixous translation by Peggy Kamuf | 123 |
Höfundarréttur | |
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according already animal appears arrive autobiography become beginning blindness body Chicago Cixous comes comparative literature concept constitution course death democracy difference effect English essay event everything example eyes face fact figure force French ghost give given going hand happens hear Hélène human Ibid Jacques Derrida keys language least less listen literary living logic longer look marked means mourning never object once original Paris performative perhaps person philosophical play plurality political possible present proper name question quotation receive reference reflection relation remains response scene secret seems seen sense sentence signifier singular someone speak specter spectral speech Stanford structure talking telephone thing thought tion trace trans translation turn University University Press visible voice writing